A sumptous film, visually, in its story, language and characters. It’s keeping me up tonight…blissfully so…
It’s not a bad book, either.
The English Patient (Miramax Collector’s Edition)
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The English Patient
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The text below (with some new edits) was posted as a link on my Facebook profile a week shy of three months ago. I’d just returned from a nearly 3 month-long road trip through the western US, preceded by 2 months in Australia. The story it tells begins to describe the unusual relationship I have with music. Yes, it’s my muse, as this site’s title insists, a source of inspiration and insight. Even more than that, there’s a mystical timeliness to the way songs appear in my life, an undeniable synchronicity often accompanied by portent, a message or significant meaning.
Some music…well…some music reaches out to you in times of need. This album, So, has accompanied me through some of the biggest changes in my life. When my first significant relationship failed explosively, it was there, in the car tape deck, as I drove away in grief. When she and I crossed paths a year later, and found in just a few moments a peaceful, loving closure, it was the unwitting hand of a dear friend, Monica, which later that evening pulled So from the depths of the glove box where it had lain, unplayed — too painful to play — for most of that year and teturned it to the tape deck. Red Rain It was cued to Red Rain.
Red Rain is, for me, among the most powerful musical laments. I don’t really pay much attention to the lyrics of this song, other than the painful cry of, “Red rain is pouring down, red rain. Red rain is pouring down all over me.” In the aftermath of that breakup, the red rain was tears, anguish, pain, the sense of betrayal and loss, the tumult of a world turned upside down. I cried out that chorus, with my voice, with my heart, with my mind, with my soul.
“I’m so sorry!” Monica apologised, after I explained its significance, “I’ll take it out.” I shook my head and smiled. “No, it’s OK now,” explaining the chance meeting, and how that reconciliation transformed the meaning of this music for me. “Now I hear the beauty of it again, even through the pain…no, it’s more beautiful for having experienced the pain.”
It came again, a few years later at the end of my father’s funeral service. My brother-in-law started the car and the radio piped in with Red Rain, cued up, just for me. There it was, change…grief, pain and beauty again, another transformation.
“So” is my music of transformation. It’s no surprise that it comes to me as I return home from this extended journey of nearly 6 months. There’s been pain, as not all that I’d hoped and dreamed came to be. But there has been so much beauty, so much change, so much growth and learning, and love and loss, and you can’t experience these fully, completely, without also experiencing the pain and grief that comes your way.
Now, when I hear the music from this album, it reminds me; pain, grief, love, beauty: these are all the exquisite experiences of living, not just of being alive — any fool can do that — but of really grasping life. To truly live requires allowing yourself to feel and experience all these and more, and find the beauty in them.
Music: my muse. Music: the messenger. Music: spirt guide.
Tags: breakups, change, death, grief, life, living, loss, love, pain, patrick's spirit quest, relationships, suffering, transformation
Last week I saw Diana Krall in concert, which has prompted me to reproduce this blog I posted previously on my Facebook notes. At the concert, I was hoping Diana would sing ‘A Case of You’, but alas she did not. She didn’t sing any Joni Mitchell songs but she did sing a Tom Waits’ one so I can’t complain.
A Case of You is one of my all-time favourite songs. The first time I heard it was off Joni’s Blue album, which was released way back in 1971. I think I may have bought it in the mid-80s.
Blue, a collection of heart-felt, intimate, confessional songs, is one of Joni’s most acclaimed albums. Rollingstone Magazine rated Blue number 30 in its list of the 500 greatest albums of all time. Who can argue with that?
Many of the songs on the LP were written following Joni’s breakup with, I think, Graham Nash or was it David Crosby or Leonard Cohen, I can’t recall, Joni had a few great loves (and who could blame them, she was beautiful and super-talented).
Joni said this of Blue:
“The Blue album, there’s hardly a dishonest note in the vocals. At that period of my life, I had no personal defences. I felt like a cellophane wrapper on a pack of cigarettes. I felt like I had absolutely no secrets from the world and I couldn’t pretend in my life to be strong. Or to be happy. But the advantage of it in the music was that there were no defences there either”.
A Case of You has been recorded by an array of artists including KD Lang and Diana Krall. Even Prince has done a version in his inimitable style. I have five versions on my Ipod and I like them all. It’s a particular favourite of jazz singers. Joni’s version is the definitive one but her keening, high-pitched vocal on the original recording isn’t for everyone. A version I also like is by the American jazz singer, Jane Monheit. Joni’s version is interesting also for the fact she plays the song on a dulcimer, an instrument not used often in the pop genre. By the way, if you are a fan of jazz singing, I implore you to check out Jane Monheit if you already haven’t done so.
It’s hard to explain why I like A Case of You so much. I know it has a lot to do with the utterly gorgeous melody, and also a lot to do with the enigmatic, bittersweet, poetic lyrics.
The song is very intimate and deeply revealing. The opening line sets the scene and frames the narrative, ‘Just before our love got lost’. She bares her soul without fear or favour. You have to marvel at the courage it took to make such intimacies public. The lyrics describe a strong independent woman, not one to be trifled with (‘if you want me I’ll be in the bar’) but also a vulnerable woman (‘I am a lonely painter’, I’m frightened by the devil’), and full of memorable couplets (‘Love is touching souls, and surely you touched mine’).
The lyrics read like a preamble to a movie script, very cinematic. I love the small details, the ‘blue TV screen light’, ‘cartoon coaster’, which she uses to paint a vivid picture. And I love how she pays tribute to her homeland, Canada.
Joni Mitchell is one of the true greats of rock music; one who has influenced a generation of artists, and still does to this day. As a songwriter she’s right up there with the likes of Bob Dylan and Leonard Cohen. She’s also a fine musician and performer.
This, folks, is a love song. Here are the words:
A Case of You
Just before our love got lost you said
I am as constant as a northern star
And I said, constant in the darkness
Where’s that at?
If you want me Ill be in the barOn the back of a cartoon coaster
In the blue TV screen light
I drew a map of Canada
Oh Canada
And your face sketched on it twiceOh you are in my blood like holy wine
Oh and you taste so bitter but you taste so sweet
Oh I could drink a case of you
I could drink a case of you darling
And I would still be on my feet
Oh I’d still be on my feetOh I am a lonely painter
I live in a box of paints
I’m frightened by the devil
And I’m drawn to those ones that ain’t afraid
I remember that time that you told me, you said
Love is touching souls
Surely you touched mine
Cause part of you pours out of me
In these lines from time to timeOh you are in my blood like holy wine
And you taste so bitter but you taste so sweet
Oh I could drink a case of you
I could drink a case of you darling
Still Id be on my feet
And still be on my feetI met a woman
She had a mouth like yours
She knew your life
She knew your devils and your deeds
And she said
Go to him, stay with him if you can
Oh but be prepared to bleed
Oh but you are in my blood you’re my holy wine
Oh and you taste so bitter, bitter and so sweet
Oh I could drink a case of you darling
Still Id be on my feet
I’d still be on my feet
Blue
By: Joni Mitchell
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Tags: canada, canadian, chanteuse, covers, Diana Krall, Jane Monheit, Joni Mitchell, kd lang, love, relationships
Please excuse me… I’ve been caught up in the mundane world the past few days and, so, not posting. Well, I’ve been writing — there are at least three blog posts in varying degrees of draft status… Eventually. <grin>
Tags: Don't Cry No Tears, Neil Young, Zuma
Saw Diana Krall last night at the Brisbane Entertainment Center and I have to admit walked away feeling a tad underwhelmed. Did not fly to the moon, not a bit. In fact, it’s left me thinking that perhaps Ms Krall is a tad overrated.
Her job is a difficult one no doubt. Having to improvise on the piano and sing at the same time would unravel most musician’s head, but last night she did not impress. To my ears – untrained I admit – she’s a better pianist than she is a singer. Yet her reputation is based on her singing ability so how much is this down to marketing and how much down to merit? Don’t get me wrong, not saying she is a poor singer, but if you strip away the marketing and the soft-focus album covers and the media hype over her marriage to Elvis Costello yadda, yadda, I wonder…
Last night, the arrangements of some of her songs were in such a frenetic tempo that she had trouble spitting out the words in time. What’s with this tendency to speed up songs when played in concert? Most of the improvised ‘jams’ were boring especially those when the bassist took centre stage.
I was also surprisingly unimpressed by her band. I usually go to jazz concerts and come away gob-smacked at the prowess of the drummer and bassist, but the two musicians last night were so low key you’d be excused for thinking that maybe Ms Krall and her manager have put them into performance straight-jackets. The drummer did not raise a sweat and looked disinterested. Both did not appear very inventive.
DK was supported by Melody Gardot and Madeleine Peyroux and I reckon both those singers sounded better than Diana. Gardot in my mind has a better voice. Her voice is clearer, purer and has a wider range. She was only allowed a very short set, but in that brief time she showed enough to suggest she’s going to be a bigger star. I don’t think DK will want her as a support in the future. Too much pressure.
I was also surprised at DK’s lack of stage presence. I wouldn’t call her charismatic. Her patter with the audience was incoherent most of the time and betrayed a nervousness that seems out of place for such a seasoned performer. Perhaps she felt the extra pressure to perform out of her comfort zone because the concert was being filmed for a DVD. Maybe she was tired. Whatever it was, she put in a flat performance.
Quiet Nights
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The Very Best of Diana Krall
By: Diana Krall
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Diana Krall – Live in Paris
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My One and Only Thrill
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Careless Love
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Tags: canadian, chanteuse, concert, Diana Krall, Madeleine Peyroux, Melody Gardot
Just watched the news, which showed the joy in Canada after the hockey win. Wow! The party must still be raging even as I write. I’m guessing productivity at work won’t be very high tomorrow.
The first song that came to mind after seeing the celebrations was this one. Written and released by Neil Young in 1970, ‘After the Gold Rush’ was a track on Young’s third LP of the same name. It has nothing to do with what has occurred these past 24 hours. It was just the title that prompted me to post it, particularly in light of Canada’s superb performance at the games and the record number of gold medals won. Then again, the refrain, ‘all in a dream, all in a dream…’…and ‘the chosen one’ (Sidney Crosby?) perhaps the lyrics do hold a connection.
I couldn’t find a decent NY clip of the song so decided on this acappella version.
Now that the party’s over, what now Vancouver? No hangover, I hope.
Tags: after the gold rush, canada, covers, Neil Young, olympics, spirituality















The Tao of Love and Light: Riffing on physics and faith
The Tao of Physics
Note that the quote, by Stephen Edwards, is not taken from the book, The Tao of Physics, by Fritjof Capra.
The Tao of Physics: An Exploration of the Parallels between Modern Physics and Eastern Mysticism (25th Anniversary Edition)
By: Fritjof Capra
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Tags: beauty, Daoism, empiricism, faith, Fritjof Capra, knowledge, light, love, Philosophy, reason, religion, science, scientific method, spirituality, the divine, The Tao of Physics