I think what makes The Tardis so compelling as a storytelling device is its strength as a metaphor for our own human condition. Like us, it’s larger — much larger — on the inside than it appears on the outside. Infinite. Surprising. Confusing. Contradictory. And extraordinarily, strangely beautiful. And also […]
It’s a rare enough thing that television offers art of remarkable quality, but (imho) Battlestar Galactica — the “reimagined” series which aired beginning in 2003 — did just that. Not only in its scripts, cinematography, visual effects and acting, but also the soundracks scored by Bear McCreary and (for the […]
I have to admit, I’m still a bit miffed that Al Pacino won the Oscar for Scent of a Woman, essentially robbing Robert Downy Jr, who had so exquisitely channelled Charlie Chaplin that same year. But, hey, Pacino had his moments.
Metaphor. I love metaphor. Matches. I just posted one about matches. Matches and pain. This one isn’t about pain. Not at all. It’s about perfection. This one is about the fire that burns inside each of us. Well, maybe there’s a little pain. It’s the pain you feel in your […]
I’ve always loved this scene introducing Peter O’Toole in David Lean’s Lawrence of Arabia. In a film rife with extraordinary storytelling and wisdom, it remains my favourite. In hindsight perhaps it’s the spiritual undertone of Lawrence’s statement that’s always intrigued me most because, of course, Lawrence isn’t only talking about […]
Who are you? Are you the sum of your experiences, your actions, your memories? Are you your dreams, your plans, your aspirations, the person you’ll someday become? Are you your past, or your destiny or your present? The best films in any genre are always the ones that touch on […]
Blade Runner is among my favourite films. In a veritable symphony of cinematic elements — cinematography, script, production design, soundtrack, direction, acting — it doesn’t miss a note. The film touches on all the major themes of the human condition: love, death, good and evil, redemption, justice, ethics, greed, passion. […]
A sumptous film, visually, in its story, language and characters. It's keeping me up tonight...blissfully so...It's not a bad book, either.
It’s the 50th anniversary of the publishing of Harper Lee’s novel, To Kill a Mockingbird, and I’ve got the film paused, just after the scene in which the verdict is handed down. Guilty. Both the film and the book resonate very deeply with me, in all the themes they touch […]
As much as I’m a huge fan of Casablanca, I’m a bit ambivalent about the ending between Rick and Ilsa. Fortunately, the film fully redeems itself in the final moments between Humphrey Bogart and Claude Rains.