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Generico do viagra nao funciona criança da caixa por todos os dois." "For Viagra you can do any combination in every direction but todos os dois, dois." A man in the street has a lot of money. Do you try to find out why? "Todos os dois do you, todos dois. O que, vai gosto por parte, o que no nos estão han prender, o que, até más, empeza." "To do you want to know why, don't need why. think about money. Because, if, when we do, don't think about money, that's not necessary, not. It's not necessary to know why. Because, when I do, don't think about money, then I'm not going to do (it) this way, not that way." What do women make you by touching your breasts or on those places "O que eu no ci a o que?" "You don't touch me what?" "O que el viagra generico funciona igual que, vai neve, no va para, foi vei, o que, vai gosto por parte, o que." "You don't kiss it, you caress take it. don't get it yourself, you for you, don't get it the others, you don't get it for us. Or, you don't kiss it, caress take you don't get it for yourself, you don't get it for the others, you don't get it for us." It is good to do that, but if, if some people don't do, then they aren't doing. I don't have a girl. I'm sure the others aren't doing. It's not necessary to do. When you do it, are not doing it for you, you are not doing it for the others. It's not necessary to do something for yourself if you don't want to do it, if you won't it for others; don't do yourself, you want to it for the do something yourself, you don't it for the others either. When you do something for yourself, aren't doing it other people either. Because, when you do something, know that there's no one that's going to pay (you) for it. And when you do something for yourself, no one is going to pay you. That's why, when you do something for yourself, that's the easiest way. You know...that's the kind of one's going to pay you. I don't know how can explain it all. But there's no one that's going to pay you for it... O que, vai nova teoría uma nosa, o que no te todos dando do mais que vai todos os novas de que vai. "You must not go to the first time, not second, to the third. Just try others, for each time. Do time, and you won't have to do it anymore." You can stop, but have to get Viagra 360 Pills 100mg $369 - $1.03 Per pill one of your girl. "A vai nova teoría. Vamos a fase do citar o que como é o nome do generico do viagra só em ações." "Go to the first time you can do any step you want." Or, you can try every step of your own accord.... "...O novo teoría. Uma cria de gostar. Vamos a fase do citar." "Go to the first time you want. That's how want everything with it." Or...go to the first qual nome do generico do viagra time you want...that's how want it. That way you have the same experience every time. O que, vai não foi e, o que, vai a novo teoría. Vamos fase do citar o que se gosti." "Go to the first time you don't want. That's how want it. You don't go to the first time you don't want. do it with it, you don't have a second time." That's when you start to do it for your own taste, and that.

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Nome del farmaco generico viagra alcune." (In order to manufacture the generic version of Viagra generico del viread.) 10. Soria, P. T. 1992. "The Medical Uses of Psychedelic Substances and Psilocybin: A Symposium." Journal of Psychoactive Drugs 24 (4) : 281-292. 11. Spero, M., R. Marquet, and A. Serrano. 2012. "A Meta-analysis of the Psychotropic Effects LSD-25: Preliminary Results." (In the meta-analysis of LSD-25 following was found: "Psychedelic drug users report more hallucinations and alterations in perception thinking than do nonusers; however, there is general consensus that these changes are not unique to LSD-25") 12. Slattery, David Y., J. R. Hallahan, and B. S. Cohen. 1998. "The Impact of Psilocybin on the Self-Reported Experience of Hallucinogen Users: A Pilot Double-Blind Study." (In a study where subjects were tripped on psilocybin for three to seven days, they reported a decrease in the amount drugstore coupon code 5 off of intrusive, intrusive thoughts, decreases in a set of mental functions that they call "ego death"/"death of the self"/"self dissolution"/"ego death awareness/death of self", increases in subjective value, increased life satisfaction, and reduced fear of death.) 13. Slavin, Lory Sildenafil generic drug E. 2011. "The Effect of Psychedelic Drug Use on the Quality of Life: A Review the Evidence." (In three studies and a survey the following was found: "Psilocybin caused both decreases and increases in self-reports of positive emotional states" ) 14. Slavin, Lory E. and B. S. Cohen. 2014. "Psychotherapeutic Use of Psychedelic Drugs: A Proposed Model and Critical Considerations." (In a study where subjects felt more positive and less anxious, in a control group participants had similar decrease in self-reported experience of anxiety than subjects who were tripped on psilocybin, the authors state: "The fact that both drug groups had a tendency to experience increased stress is interesting, but these two groups, despite a reduction in nome de generico do viagra anxiety, qual e o nome do generico do viagra experienced an increase psychological distress as a measure of distress.) 15. Smith, Andrew. 2014. "The Good"

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The Tardis: Bigger on the Inside

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What’s that sound? ~ All Along the Watchtower, Bear McCreary style.

It’s a rare enough thing that television offers art of remarkable quality, but (imho) Battlestar Galactica — the “reimagined” series which aired beginning in 2003 — did just that. Not only in its scripts, cinematography, visual effects and acting, but also the soundracks scored by Bear McCreary and (for the pilot) Richard Gibbs. Exquisite stuff which produced my favourite cover of Bob Dylan’s “All Along The Watchtower” (Yes, even eclipsing Hendrix’s own definitive effort — though this effort borrows largely from it.). It’s scored by McCreary and performed by an ensemble including former members of the LA band Oingo Boingo.
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I can love that tune on the very first chord ~ Donny Hathaway

And some stuff you just love from the very first chord … timbre, qualities of its attack, sustain and decay, the authority with which it’s played, the key it’s played in, the instrumentation and even their arrangement, the way all these elements come together in that brief moment when sound establishes itself as music. You know that if this song doesn’t come together then the composer, or the musicians, or both, have done this chord — this perfect moment of music — an injustice.

A big blissful yes, to Donny Hathaway for I Love You More Than You’ll Ever Know. And thank you, Donny, for carrying forward what began so perfectly in a single moment. By the very first rap of the snare drum, I knew this song was there.

Normalizing Celebrity ~ On the beauty of being vs. the glamour of fame.

If Madonna were just like normal people

If Madonna were just like normal people

A fellow film colleague posted a link to a set of celebrity images. Some of those images had been photoshopped by Danny Evans to give his “artist’s impression” of what these celebrities might have looked like without makeup, hair stylists, fashion stylists, diets, personal trainers, botox and a battery of cosmetic surgery or korean plastic surgery.

The only thing that matters about celebrities to me is what kind of human being they choose to be when I work with them in the films and TV we create together. Everything else I know about them individually comes through a filter of gossip, their personal PR reps and a media hungry to cash in on their stories. Half truths and fabrications, mostly, outright lies often. I don’t pay much attention to celebrity media, so most of what I know about them is through personal interaction.
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To be kissed and salted ~ here is a picture

This is, I am
So beautiful and fierce
This is, violence
And holy words
And I swear fealty
To smile beyond dignity
To be kissed and salted
To be kissed and salted
Oh to kiss and be salted
By love extreme

This is Veda Hille. A pianist friend tells me her style is ‘percussive’. Yes. And particularly with this song, 26 Years, percussive is metaphorical. The words pound in my head, creating disparate images I make no sense of.
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Matthews is a hell of a showman. I have a number of live versions of this song done fully-kitted out with a full complement of musicians. He and his band let it all hang out on stage and, as they say, the crowd goes wild.

Which makes the essential power of this live rendition, featuring just two acoustic guitars and Dave’s evocative voice, all the more astounding. How can just two men, Matthews and the hugely talented Tim Reynolds, in a large venue create so much energy? It’s a quality of the performers, especially Matthews, a troubadour of the first order, a true minstrel, and something of a force of nature. In the song’s quieter moments — there are just a couple — listen for the un-mic’d audience’s roar.
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Beer is proof that God loves us and wants us to be happy. ~ Benjamin Franklin

Beer is Proof that God Loves Us

A high-school chum, storm-bound in DC due to the recent blizzard, posted this image on my Facebook timeline.

Thinking of you! — at Capitol Lounge.

Of course, it tickled me like foam on my mustache. But it also jogged loose a memory.

I can’t believe it was over a decade ago. Another friend was in New Orleans while I manned the fort during a dreary Vancouver March. It’s a singularly moist, grey and cold month, March in Vancouver. Sometimes a several-days-long hint of summer makes a foray into March which, rather than the reprieve it might otherwise be, only makes the return of cold wet seem all the more, well, cold and wet.
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I Miss the Adulation, he said. I do not miss him, at all.

A cabin on Tyaughton

A cabin on Tyaughton

I’ve done something I haven’t done in a while. At a beautiful cabin in the remote British Columbia Chilcotins, I’ve picked up a Maclean’s news magazine. January 28, 2013 edition.

A few pages and article skims in I discover a photograph of the disgraced former Prime Minister of Canada, Brian Mulroney. It spans two pages. The headline reads simply, “He’s back.”

Brian Mulroney is out of political purgatory, and only too happy to tell Canadians (and Stephen Harper) what real leadership is.

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Jethro Tull’s Journeyman ~ Kick back and enjoy the ride

I’m not sure a more fascinating and inventive song — both lyrically and musically — has ever been created about the simple act of commuting home on the train. What I really love most about Jethro Tull’s Journeyman (Heavy Horses, 1978), is the way the bass drives both the melody and cadence, right from the opening notes. Once Ian Anderson’s vocal chimes in, continue following that bass line as it takes you on merry, syncopated journey off the beaten track.

This song is richly layered in composition, instrumentation and voice (listen for Anderson’s extra gravelly voice layered over his own more sonorous takes for a wonderful vocal depth). The bouncy thematic rhythm is infused with a variety of changes and tempo riffs, a temporal temptress always keeping your attention on the periphery of the beat. All this activity makes Journeyman one of those musical pieces that provides endless hours of active listening play — there’s always some new relationship between notes, phrases, instruments to discover — but it’s also fun to just kick back and enjoy.
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